Part of the initial experiment was to analyse the tone stack output of the amplifier and how the controls (marked 0 – 10 under ‘tone’) varied the frequency response of the amplifier. To measure the response white noise consisting of a full band of frequencies were generated and used as an input source for the amplifier. The tone control was then moved from the 0 position to 10 and a recording of the output was made. To record the amplifier a Rode NT5 condenser microphone was used due to its flat frequency response, although as standard a shure sm57 may be used for a guitar recording, the microphones specific frequency response boosts certain guitar friendly frequencies, for the experiment however the aim was to reduce the colouring of the microphone by as much as possible(Fig1 Rode nt5 frequency response). An important aspect to take into consideration is the frequency response of the speaker in the amplifier as it also adds a great deal of colouration to the tone (Fig2 Celestion Tube 10 speaker frequency response). Although less important in the tone stack analysis as all frequencies are considered the speakers frequency response is a vital consideration for the waveshaping algorithm design. In Fig 3 (Frequency plot of amplifier with noise) the top line, representing the tone control at 10, almost identically represents the frequency plot of the speaker specification (for example the drop in dB around the 10kHz area). The bottom line in Fig 3 represents the tone control at 0 so the difference between the two lines can be seen as the response of the tone stack as its controls are adjusted from 0 to 10 (minimum to maximum). There is a huge boost of around 30dB in the low frequency spectrum and an average of around a 15dB boost in the mid and high range frequency spectrums. More detailed designs of the tone stack can now be completed based on these findings.